Archives for posts with tag: Board of Deputies

hillel-2015-infographic-web-vertical-01The Australian branch of an organisation that openly supports and advocates for Israel, and whose internal policies lead to the exclusion of dissenting voices, has repackaged itself as an ‘apolitical,’ pluralistic Jewish community group. With the help of the local press.

On Monday 23 March, the Australian Jewish News (AJN) reported that a staff member of a theatre in Sydney, The Red Rattler, had rejected a request from Hillel Sydney to rent the premises, with an email stating ‘Our policy does not support colonialism/Zionism. Therefore we do not host groups that support the colonization and occupation of Palestine.’ In response, New South Wales Jewish Board of Deputies CEO Vic Alhadeff wrote to the theatre manager on behalf of Hillel Sydney, complaining that Hillel had been discriminated against ‘based on conflicts taking place far from Australia,’ claiming that,

Hillel is an apolitical body which provides educational, cultural and social activities for Jewish students and young adults [and the decision was] at best ill-informed and at worst racist and discriminatory.

The theatre board subsequently sent a letter of apology to AJN, saying it ‘condemns racism of any kind.’ The Red Rattler is now a target of a growing online and media campaign to paint the small theatre as the headquarters of (some combination of) radical, leftist anarchist neo-Nazis.

Whether one agrees with the approach taken by the theatre staff member, it is arguable that the ‘global Hillel family’ – of which Hillel Sydney is a part – is boycottable for the partnership role it plays in Israeli government hasbara efforts. Alhadeff’s plea of political neutrality is insincere: it is Hillel which implicates itself in ‘conflicts taking place far’ away – and on the side of the occupier.

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Hillel International practices exclusion and censorship in a bid to silence criticism of Israel’s human rights record including laws that racially discriminate against Palestinians. Hillel’s guidelines forbid chapters from hosting or organising events featuring speakers in support of BDS and those who oppose Israel’s self-declared status as a ‘Jewish and democratic state’ – a policy that has led to dissenting chapters’ dropping the Hillel name.

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It was clear from early on in the row over the Tricycle theatre, during summer 2014, that government interference and threats to funding had played a significant role in the theatre’s capitulation. Now we have incontrovertible evidence in the form of a boast from the mouth of the UK Culture Secretary himself.

Sajid Javid joins Prime Minister David Cameron this week in conflating non-violent boycott actions – or in the case of the Tricycle simply the rejection of Israeli government funds during that state’s military assault on Gaza – with violent attacks on Jewish individuals and institutions. At a speech to the Board of Deputies of British Jews on Sunday, Javid referred to his unblemished record of bolstering the bullying tactics of pro-Israel lobby groups. According to Jewish News, Javid branded cultural boycotts ‘a form of the oldest hatred in the world.’

Javid told deputies he had “no tolerance for cultural boycotts of Israel”. He added: “Whether cultural, educational or divestment, the answer is the same.”

Citing last year’s boycott of the UK Jewish Film Festival by the Tricycle Theatre in Kilburn, Javid said: “I intervened. I thought it was totally and utterly unacceptable and wrong. I have made it absolutely clear what might happen to their [the theatre’s] funding if they try, or if anyone tries, that kind of thing again.”

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